[Basekamp Events] Loveland - Apr 13 2010
scott at basekamp.com
scott at basekamp.com
Mon Apr 12 10:03:40 PDT 2010
======== LOVELAND ============================================================
[1] April 13, 2010 - 6:00pm - 8:00pm EST
Hi Everyone,
This Tuesday is another event in a year-long series of weekly conversations
and exhibits in 2010 shedding light on examples of Plausible Artworlds.
Our discussions over the past weeks have foregrounded an understanding of
plausible worlds as largely immaterial nodes of shared desire and exchange
— as collective constructs in time, which exist as long as the collective
will to pursue them is sustained. This conceptual mapping has gently helped
avoid any excessively down-to-earth take on the notion of a “world”. But
even worlds online and in time must contend with the question as to the
relationship between “world” and “land”. So this week we’ll be
talking with the Detroit-based instigators of LOVELAND, a micro real-estate
project premised on using social microfunding and online tools to get people
experimenting with and rethinking collective land use and ownership.
LOVELAND sells square inches of land in Detroit for $1 an inch. The project
then uses these virtual, tiny-scale investments to fund real-world projects
throughout the city. Inchvestors — that is, the people bankrolling the
initiative one buck at a time — are able to access their land both on and
offline, transforming the land in a mutually agreed-upon manner, with a goal
of purchasing numerous pieces of real estate throughout the city and
developing them around certain themes. Anyone involved can also transfer or
sell inches to others.
Practically speaking, LOVELAND owns the property and merely extends social
ownership to its inchvestors, making them less titleholders than
stakeholders. The purchased inches are not legally binding and are not
registered with the City of Detroit, keeping taxes and other unpleasantries
of officialdom out of the picture. But it also puts the onus on the
stakeholders to contend with existent legal instruments to ensure their
interests are acknowledged. Art-historically, LOVELAND harks back to projects
such as Gordon Matta Clark’s never fully realized “Fake Estates” —
the interstitial gutterspaces he purchased from the City of New York in the
1970s — but significantly throws into the mix the unresolved issues of
collective agency, common investment, and social use value.
http://makeloveland.com/
See you all then!
Join us every Tuesday night – in person, or on Skype, skypename:
‘basekamp’
If you come to the potluck chat in person, be sure to bring a dish :)
Basekamp space: 723 Chestnut St, 2nd floor, Philadelphia usa
Click to join this week’s Potluck Chat on Skype:
http://bit.ly/aqVIpL
Follow Plausible Artworlds:
http://twitter.com/basekamp
http://basekamp.com/info
Comment here
http://basekamp.com/about/events/loveland#comments [2]
/Plausible Artworlds is a project organized by Basekamp and Stephen Wright,
and has been funded by The Pew Center for Arts & Heritage through the
Philadelphia Exhibitions Initiative./
[1] http://basekamp.com/about/events/loveland
[2] http://basekamp.com/about/events/loveland#comments
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